We’ll help fully shape your story or message with thorough research, script development, and storyboarding. We’ll develop a graphics package and with our experience in shoot planning and resource allocation, and ensure stick to budget and schedule. Our service include Consulting, Script Research and Development, Storyboarding, Graphics Development, Character designing, Budgeting, Project Timeline Planning, Resource Allocation, Rights – Acquisition and Clearances and Archive Rights and Licensing.
Character Design
Production is the actual filming of the video. The video production company you’re working with bring their crew, equipment, talent (actors) and all necessary props out to the location and capture all the footage necessary. If you’re adding elements such as motion graphics, animation or voice-overs in your video, the material will be produced in the production stage. We will produce the animation with a remotely recorded voice-over. The voice-over is typically provided by a trained voice-over artist but we can also use your own team members. The actual voice recording session our clients can call into to listen and guide tone and pronunciation which can be very important with productions that are very technical in nature such as health animations. Production service also include promotion ads video.
Post-Production is the stage after production when the filming is wrapped and the editing of the visual and audio materials begins. Post-Production refers to all of the tasks associated with cutting raw footage, assembling that footage, adding music, dubbing, sound effects, just to name a few.
Compositing is the process or technique of combining visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene. Compositing is achieved through digital image manipulation.
We will finalize the animation and add sound design and deliver it as needed. The sound design in animation is often what helps it come to life, its the blips and blops, doors opening and closing, engines starting and planes zooming by. Good sound design you would barely notice as it feels so natural to the creative.
Metal Gods logline is in mankind’s distant future, the metal gods rule the megalopolis of New Ael. A warrior priest on a quest of revenge seeks to do the impossible: to kill the god of order, his former patron god. The setting is in the city of new Ael, a sprawling city of neon lights and skyscrapers, mankind cannot remember a time before the Metal Gods, who have always been as eternal as the sun and moon. Type of this project is animation feature film. Genre is science fiction/ fantasy. The length of this animation feature film is about 90 minutes. There have two language in Metal Gods, English and Chinese.
Ex-warrior priest of the Order of the Iron Priests. Seeks revenge against Halorr for the murder of his squad and closest friends in the past. Worshipped as a legendary champion by Omnium, he struggles to choose between his newfound friends and followers or his revenge. In the past Shin deeply loved Halorr and the order he represented, but now Shin no longer believes in a fair world.
Mercenary and thief for hire. Meets Shin when they are assigned on mission for Omnium. Her ultimate goal is to find the an ancient war machine that can answer any question, and she believes that teaming up with Omnium is the best way to achieve that goal.
Ancient machine from an earlier age. Created to serve on the frontlines of the Great War an age ago. Revived as part of the automaton rights movement. He holds the key to mankind’s past. He feels lost and aimless in the modern age, as his primary function has been fulfilled. Repurposed by Omnium to fight for them. Turns out to be the ancient war machine that Ven was looking for.
Norse god of light. He advises Shin and speaks directly in his brain. It seems his goals are aligned with Shin, but his true motives, and even how he is able to exist at all, is still an enigma.
One of the metal gods, hidden gods that govern all aspects of the city. Halorr maintains order through his Order of the Iron Priests, a fanatic police force. The god himself has been known to manifest to suppress chaos if absolutely needed. Often manifests as a steel giant.
Mankind cannot remember a time before the Metal Gods, they have always been as eternal as the sun and moon. In the city of New Ael, a sprawling city of neon lights and skyscrapers, Shin is an ex-warrior priest who used to serve the god of order Halorr, the god of order and peace, one of a family of Metal Gods who govern the city.
This pantheon include gods such as the goddess of knowledge, the god of birth, and the god of order and peace, Halorr who is the patron god of the Order of the Iron Priests, the city’s police force. Shin, who now works as a cleaner in a daycare has been getting close to one of the teachers, Lyn.
Shin is at first shown to be a cheerful and charming man, but this is revealed to be partially a façade as his true motive for getting to know Lyn is so that he can be introduced to her father, Sen, who is an elite minister working for the god of knowledge, Zanagar’s retinue. Shin’s true goal is revealed, he desires to kill Halorr, god of order, and he intends to find out how. Shin steals Sen’s keycard so that he may gain access to the Blue Heights, server tower for all of New Ael’s data.
When he enters Blue Heights, he finds out that in order to kill Halorr, order in the city must be disrupted enough so that the god of order himself must appear in the physical realm. It turns out the entirety of Blue Heights is the mind of Zanagar, and upon detecting intrusion, Iron Priests are dispatched to catch the intruder.
Before escaping, Shin enters a strange room where he finds the soul of Balder. Shin is possessed by Balder, the ancient Norse god of light and takes on some of his powers. Shin discovers that he is able to render parts of his body invincible, much as Balder was invincible to all physical harm, and that his strength and speed are all increased to superhuman levels. As he tries to escape the tower, he runs into Ven, a thief also on a mission for secret information.
As the two try to escape, they help each other evade traps and guards. Eventually Shin is forced to fight a squad of Iron Priests, some of which recognize him and try to question him. Shin, with his newfound powers, defeats them and gets away. To disrupt order in the city, Shin feels that the best bet is to join the revolutionary group Omnium Hominum, where he can work as an enforcer.
As he talks to Ven as they celebrate their escape in a bar, she tells him that she is a member of Omnium, and they could use a fighter like him. Omnium is a group that believes that before the appearance of the Metal Gods, mankind governed himself, and that the Empire of Man once colonized many worlds, before an event known only as the Great War. As the Metal Gods have outlawed all research into humanity’s past, Omnium seek to secretly steal ancient artifacts and forbidden information. They believe that someday a new golden age for humanity will rise.
In order to gain Omnium’s trust, Shin accepts a mission to kidnap Arthur, the oldest of the Reborn Ones, the people deemed worthy of unending rebirth by Melor, the goddess of birth. Shin is paired up with Ven and a squadron of Omnium militia. During the mission, Shin defeats all of Arthur’s guards and rips open the metal doors of Arthur’s safe room.
Shin plans to impress Omnium with his physical abilities so that he would be elevated within the organization. As he is sent on more missions and as they always end in success, some of the more superstitious in Omnium start to believe he is a reincarnation of a hero from the past, an invincible champion who will lead them to the truth.
Meanwhile, Arthur reveals that there is a left-behind machine somewhere deep in the undercity junkyards who, being an ancient war machine from the Great War, would hold the secrets they seek. This machine is the legendary machine that Ven had been seeking all her life.
As Shin gets to know Balder, the two share stories of their pasts and cultures, although Shin is unwilling to talk about his hatred towards Halorr. Shin is impressed when Balder speaks about how he and his family have personally answered the prayers of the people and led their Vikings in battle. However, Balder does not speak of how he ended up as the last of the old gods. Shin learns about Ven’s hard past and her desire to find an ancient machine, lost somewhere in the city that can answer any question asked of it. Ven and Shin disagree on life and the gods. Ven feels that the gods are good, while Shin feels that life and reality are fundamentally unfair.
Shin and Ven are assigned to retrieve the ancient machine spoken of by Arthur. When they find it, they are shocked to find that he is still functioning and self-aware. The ancient machine, T-10, remembers the destruction of most of humanity by nuclear weapons at the end of the war, and a few disconnected concepts such as simulation, new world, project, rebirth. But its memory is incomplete. At this Shin realizes how to create the chaos that can draw out Halorr. He influences his followers to believe that New Ael is a simulation created by the invader victors of the Great War, who created the Metal Gods to control humanity.
He leads Omnium to rise up in a revolution to demand the truth of their reality. Shin advises Ven not to follow, knowing that many lives will be lost in the revolution. As the two argue, Shin finally reveals his past. He tells her about his past working for the Iron Priests, and how Halorr had killed his squad, including his closest friend for perceived corruption and only he had escaped through luck. Ven realizes that Shin is starting a revolution just to get a chance to kill Halorr.
When she tries to tell the others, Shin locks her in a room. During the riot, Halorr shows himself and Shin immediately abandons Omnium to go and fight him, while Ven manages to escape her prison to help the Omnium members get to safety from the Iron Priests. The epic battle rages through the city. Shin initially takes a beating from the god, but awakens Balder’s ability to use light as a weapon, and is able to pierce Halorr’s metallic shell.
To Shin’s surprise, underneath the shell is twisted flesh and blood. Halorr finally reveals that the Metal Gods were the heroes of the Great War millennia in the past, bioengineered cyborgs with godlike power. While their original purpose was that of superweapons entrusted with protecting humanity against the invading conquerors, upon losing the war, they took it upon themselves to protect and nurture the remaining humans.
As they believe that man has a basic need for guidance from higher powers, they styled themselves as gods. As he lays dying, he tells Shin that mankind is not yet ready for a world without gods. The other Metal Gods will come for him and he won’t be able to fight them all. At this point, Ven has arrived on the scene and has heard his last words.
As she angrily confronts Shin and tries to kill him, Shin says that she will never see him again and vanishes unto the undercity. The other gods have arrived on the scene and they violently suppress the Omnium, who now leaderless, scatter and escape, their numbers greatly reduced. In the end, Omnium’s leadership is inherited by Ven who tells them about Shin’s lies, of how he twisted T-10’s message to start a revolution.
Omnium is split into two factions, those that believe in Shin as a reborn old god and pray for their missing leader’s return, and another faction who believe Shin is a false hero who must pay with his life for leading so many of them to their death. SEQUEL POSSIBILITY: Ven tries to hunt Shin down to punish him for his crimes. At the same time, Shin is on the run from the other Metal Gods.
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